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Haerim visits her grandmother's house on the southern coast, expecting a relaxing day at the beach. Instead, she finds reclaimed land and unfamiliar surroundings. The sea and harbor are now enclosed by private property and bamboo forests. The film captures awkward reunions, canned peaches, a dizzy bus ride, and an overturned umbrella—fragments of her (non)ordinary journey. It explores an identity that belongs nowhere and invites reflection on place and belonging.

Jeongyeon and Ji-eun, longtime friends, face the subtle oppression women experience within the small world of their school and struggle with uncertain futures. Should we just endure it all? When will we find the answers to life? Though we're a bit loud and clumsy, we come to learn that it's okay to be that way.

We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

회사에서 이유도 모르게 동료들에게 따돌림을 당하고 있는 우연. 　　그로인한 스트레스가 극에 달해 살아 숨 쉬는 것 자체가 버겁다. 　　차라리 생을 마감하는 것이 낫다고 생각해 투신을 하려던 그 때 　　시각장애인 선희가 눈 앞에 나타난다. 　　선희와의 만남 후 우연은 어디론가 향하는데...

An encounter with a sailor. A car drifts through the city. 　　This short film is based on a poem written in English by the filmmaker himself. 　　한 선원을 만난다. 자동차는 도시를 표류한다. 작가 본인이 쓴 영시를 기반으로 만든 단편영화.

After the wrap up of filming the lead actor, Chung-gil, decides to confesses his feelings to his co-star, Hyun-kyung. However, Hyun-kyung feels uncomfortable with Chung-gil's confession. Their relationship becomes awkward, and an unexpected event unfolds in the midst of this tension. Three months later, both Hyun-kyung and Chung-gil visit Busan for different reasons and coincidentally run into each other. This encounter gives Chung-gil another opportunity to confess his feelings.

In 2024, in Seoul, South Korea, "I" stage a play with friends titled The Gaza Monologues, which opposes the ongoing massacres in Palestine. However, we are faced with an unchanging social reality. In response, "I" revise the plan to record and film the play, and instead meet Palestinian students living in Korea to interview them in public squares. One camera films reenactments of the play, while another shoots a documentary. Can we, while mourning, present you with a camera that invents hope?

All she longs for is to whisper a secret to her father.